Eastern Han Dynasty (about AD 100) 19.8 cm diameter circular weight 825 grams button, petal Block, the four extra milk to nail designs divided into four areas, a group of plans for the Queen Mother of the West. Relative to the East Princes map, and that side of Ming "East Princes" word. Another group of three Mara vehicles, known as fairy riding on the sheep, and that side of Ming "fairy riding sheep" word. "Sheep" links "Xiang", such as the Han-often in the inscriptions "Jiyang" category. Therefore, the sheep became the Han Dynasty auspicious beast. Immortal riding sheep bronze mirrors, excellent casting, superior technology, modeling elegant ancient, lively Ruishou image. Immortal riding sheep which depicts the modeling is particularly exciting. Through the eyes of female goats, sheep and riding with the immortal plume behind the eye contact details portray fun and very nimbus, is the mirror image of the Eastern Han Dynasty superior quality.

The late Eastern Han Dynasty (about AD 158) g-cm diameter circular button liked profiling Block button. 4 beast-back title holders the pictorial divided into four zones. For a group of East Princes, a group relative to the Queen Mother of the West, the adjacent birds were guarding another group wearing Mian Liu is the Yellow Emperor, a waiter and the next Shendaoxiangshou. Relative Baya playing as a group, Yiqin side. Semicircle, covered with pieces of pearl and profiling. On the 4th-Ming unclear. Chlamys profile of the band-edge painting inside and outside of the ring, the inner ring as exquisite bas reliefs, the six-car Jiayun, feathers were riding beast, who by Yuan Yu, feathers and other people riding Qingdao. Outer Ring for consecutive Yunqi profiling. The mirror image density phase, uniform symmetry. Relief Shenshou delicate realistic, lifelike. Painting, the bas reliefs with elegant lines stretch highly decorative effect. Process-level, tripod peak period of the Eastern Han Dynasty bronze mirrors the treasures.

Round, round button, liked profiling Block. Sibanfa composition. For a group of West Queen Mother wore drag sitting at the pad. Before in the four feathers at the lumbar pad up four Gendou. Their relative, wearing a crown of the three East Princes sit on the foreshadowing. Haneda people before performing acrobatics. Another group of eight cars Malassezia, horseshoe Pentium across mountains. Their relative in a Reuters, a woman in the dance performance, sideways Gongbu, long-sleeved arms-dancing move is obviously in the popular performances of Jiangnan "white Neilingding dance." Chlamys profile of the band edge painting. Queen Mother of the West and East Princes is known to the Eastern Han Dynasty god. The couple "two-yin and yang of science and engineering, and raising world, Jun Tao things." Mitac extremely large by the Han community worship. West appeared on the Queen Mother bronze mirror image of the earliest in the late Western Han Bo on the mirror. East Princes image of the Eastern Han period, the myth of the East Princes west of the Queen Mother is the spouse of people.

Song Dynasty (AD 960-1279) diameter of 16.5 cm-567 grams Six diamond, endo center, a round button. Ssangyong at NIU confrontation, the top leading body in the winding, hind legs and tail of the intersection into a ring shape. Shoot tail relative said. Button beneath a censer. Dragon rare right under the corrugated thread of water left under the Dragon rare burning flame profiling. Water Breathing Dragon shut up, vomit was reminded of mouth. An underneath, in a pipeline carrying turtles rise Peering. Lung water is yin, yang is reminded. An open-mouth is one of two gas in the intersection of yin and yang harmony. Song water and fire Ssangyong mirror, a symmetric stress of the United States, its philosophical connotations, is the unity of opposites yin and yang balance. Song Sang Yong-fire and water were found in a diamond shape, Kwai-such as "China Tudian bronze mirrors," with the face of the nine-Ssangyong, the two-Ming Annals of the period for the Southern Song Dynasty.

Tang Dynasty (Wu Zetian period, 690 AD) cm diameter fate cm thick, heavy grams round. V beast button. Decoration theme for a group of high-relief art practices, clear plastic casting a group of birds, animal, the fruit of fauna and flora, and liked to showcase the top of the stria Gaolan divided into internal and external areas. V beast in the area around the button, plastic grapes Dendritic to 14 strings, Qu was surrounded by a group S-shaped, three of the six S-shaped ring a circle, respectively plastic round ended with a brain and the end of a hair ball, posture variety of small mammals, the formation of a six small orchard of the seven animals play maps of the area for the full fruits of grape Chanzhi 27, the middle plastic different attitude, demeanor vivid, and accurate modeling of the club eight, three bees, dragonflies two, to become a fruit cooked birds, dragonflies Manyuan the vivid scenes of a week-Bianchi Triassic moire. Straight Edge-edge. This mirror decoration clear, excellent, mirror-thick,磅礴atmospheric, meteorological reflects the Tang Dynasty. Such a beast six more popular grape-Wu Zetian period (AD 684, -705).

Tang Dynasty (Wu Zetian period, 690 AD) cm diameter fate cm thick, heavy grams round. V beast button. Single high-lap back will be divided into two districts, both inside and outside. Dendritic area within 15 string plastic grapes, vineyards have Ruishou 5. Have to crawl Ruishou-back iguana have mane, tail more slender, with hair-ball. Ruishou opposite group on February 21, left a single, all-Dendritic grapes for climbing; the district fruitful grape Series 42, staggered misunderstandings, which the Youth Pre-employment Training nine birds, four to North Korea, five to Wai, Zhou Yi in their respective grape. Triassic week showcase to the edge and concave Xianwen moire. Straight Edge-edge. Rare birds Ruishou grapes produced in the mirror and prevalent in the early Tang Dynasty, Tang Dynasty is the most brilliant of more than 100 years of parallel, reflects the Tang Dynasty national strength, economic prosperity, open concept, and it was also the socio-economic, ideological and a microcosm of the art technology and the image of its Wealthy, beautiful shiny, exquisite craftsmanship and rich content and loved by the people by the people as "the king of ancient Chinese mirror." This mirror decoration clear mirror of the thick atmosphere, packet containing gas-plasma, when Wu Zetian during the Tang Dynasty (AD 684, -705)